์œ ๊ด€์ˆœ


1919๋…„ 3ยท1 ๋…๋ฆฝ๋งŒ์„ธ์šด๋™์˜ ํ˜„์žฅ. ๋Œ€์—ด์˜ ์„ ๋ด‰์— ์„œ์„œ ๋งŒ์„ธ๋ฅผ ๋ถ€๋ฅด๋˜ ์ด๊ฐ€ ๊ฒฝ์ฐฐ์— ํˆฌ์˜ฅ๋œ๋‹ค. ๋‹น์‹œ 16์„ธ์˜€๋˜ ์–ด๋ฆฐ ์†Œ๋…€ ์œ ๊ด€์ˆœ. ํ•™์ƒ๋“ค์˜ ๋…๋ฆฝ์šด๋™์ด ์‹ฌํ•ด์ง€์ž ์ผ์ œ๊ฐ€ ๋‚ด๋ฆฐ ํœด๊ต๋ น์— ๊ท€ํ–ฅํ•œ ๊ด€์ˆœ์€ ์ธ๊ทผ ์ง€์—ญ์„ ๋Œ๋ฉฐ ์ „๊ตญ์ ์œผ๋กœ ์ผ์–ด๋‚˜๋Š” ๋…๋ฆฝ์šด๋™์—์˜ ์ฐธ์—ฌ๋ฅผ ๋…๋ คํ•œ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ์•„์šฐ๋‚ด ์žฅํ„ฐ์—์„œ์˜ ๋งŒ์„ธ์šด๋™์€ ์„ฑ๊ณตํ•˜์ง€๋งŒ, ๊ด€์ˆœ์€ ์ฃผ๋ชจ์ž๋กœ ์ผ๊ฒฝ์— ์žกํžŒ๋‹ค. ๊ฐ์˜ฅ์—์„œ๋Š” ๋ชจ์งˆ๊ณ  ํ˜น๋…ํ•œ ๊ณ ๋ฌธ๋“ค์ด ์ด์–ด์ง€์ง€๋งŒ ๊ด€์ˆœ์€ ์–ด๋ฆฐ ์—ฌ์„ฑ์˜ ๋ชธ์œผ๋กœ ํ•ญ์ผ ํˆฌ์Ÿ์„ ๊ณ„์†ํ•ด ๋‚˜๊ฐ„๋‹ค. 3ยท1 ๋…๋ฆฝ๋งŒ์„ธ์šด๋™์œผ๋กœ ํˆฌ์˜ฅ๋˜์–ด ํ˜•์žฅ์˜ ์ด์Šฌ๋กœ ์‚ฌ๋ผ์ง„, ๋ฏผ์กฑ์˜ ๋ด‰ํ™” ์œ ๊ด€์ˆœ์˜ ์ด์•ผ๊ธฐ๋ฅผ ๋‹ค๋ฃฌ ์˜ํ™”๋‹ค. ์–ด๋ฆฐ ๋‚˜์ด์— ํ˜•์žฅ์˜ ์ด์Šฌ๋กœ ์‚ฌ๋ผ์ง„, ์งง์€ ์ƒ์•  ์†์˜ ์ˆœ๊ตญ์ •์‹ ์ด ์ž˜ ๋“œ๋Ÿฌ๋‚œ๋‹ค.

๐Ÿ“… 1959-05-21

๐Ÿ‘ฌ 1.7358

โญ๏ธ 4


์ถœ์—ฐ/์ œ์ž‘์ง„

๋„๊ธˆ๋ด‰

Acting

๊ณ ์„ค๋ด‰

Acting

ํ•œ์€์ง„

Acting

์ดํ•ด๋ฃก

Acting

Yun Tae-byeong

Acting

Lee Sung-Jin

Acting

๋‚จ๋ฏธ๋ž‘

Acting

Gang Yang-sun

Acting

์œ ์ถ˜

Acting

Seong-kyeong Lee

Acting

๊ณ ์„ ์• 

Acting

๊น€์ˆ˜์ฒœ

Acting

Kim Hui-yong

Acting

์ •์ฒ 

Acting

๊ฐ•๊ณ„์‹

Acting

๋ณ€์ผ์˜

Acting

์ž„์šดํ•™

Acting

๊น€ํฌ๊ฐ‘

Acting

์„๊ท€๋…€

Acting

์ตœ์‚ผ

Acting

๊น€์น ์„ฑ

Acting

๊น€์–‘

Acting

์ด์—…๋™

Acting

Song Hoon

Acting

์กฐํ•ญ

Acting

์กฐ์„๊ทผ

Acting

์ด์ผ์„ 

Acting

์ดํ–ฅ

Acting

๋ฐฑ์†ก

Acting

์ง€๋ฐฉ์—ด

Acting

์ตœ์„ฑ

Acting

์ „์„ธ๊ถŒ

Acting


๊ด€๋ จ ์˜ํ™”

๋งˆ์ง€๋ง‰ ํ™ฉ์ œ

์ข‹์€ ์นœ๊ตฌ๋“ค

๋ฐฑ์ผํ™: ๋ฏธ์Šค ํ˜ธ์ฟ ์‚ฌ์ด

๋ฐ”์Šคํ‚ค์•„

์บ์น˜ ๋ฏธ ์ดํ”„ ์œ  ์บ”

๊ฐ„๋””

Theodor Hierneis oder Wie man ehem. Hofkoch wird

The Meanest Man in Texas

ํฌ๋กœํ† ์•„

Verstรถrung - und eine Art von Poesie. Die Filmlegende Bernhard Wicki

๋‹นํ†ต

Wooden

Mad About the Boy: The Noรซl Coward Story

๋งจ ์˜จ ๋” ๋ฌธ

๋ง์ฝค X

์”จ ์ธ์‚ฌ์ด๋“œ

๋งˆ์ดํด ์ฝœ๋ฆฐ์Šค

๊ตฟ๋ฐ”์ด ์น ๋“œ๋Ÿฐ

ํ˜๋ช…์•„ ์žํŒŒํƒ€

๊ทธ๋…€๊ฐ€ ๋งํ–ˆ๋‹ค

์˜์ƒ